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Stories from the studio

Personal essays on identity, pole dance, queer history and the work behind our films.

25.10 in lime on black, with the words: The far right came first. Vote for the floor, not the hero.

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5 October 2026 · 10 min read

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How the far right took Brazil (and how we take it back)

The far right just came first in Brazil's election, and it didn't come out of nowhere. Here's how we got here, and why I'm asking our community to back the left on 25 October.

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25.10 in lime on black, with the words: The far right came first. Vote for the floor, not the hero.

Colour as rebellion: the grey is a business model

In everything I make, a grey world takes colour from people and sells it back to them. It took me three stories to see that the grey isn't sadness. It's an economy, and queer people are some of its favourite stock.

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Four rows of colour swatches from the Other Than colour plan: greys, deep reds, a full spectrum, and a last row fading from red to black, labelled Dark end

The Essential Importance of Non-Binary Representation in Pole Dance Spaces

My journey into pole dancing, guided by my non-binary instructor, helped me accept my own non-binary identity. Representation creates belonging, breaks stereotypes and makes room for self-expression without judgment.

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Augusto training on the pole at a Sydney studio

Queer History and Pole Dancing's Journey to Acceptance

From the Harlem Renaissance and ballroom to modern pole studios, queer people have used art to build acceptance and explore identity. Pole dancing, long marginalised, has been reclaimed as a medium for empowerment and liberation.

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Rainbow ribbons of light in a dark space

Embracing Self-Discovery and Healing Through Pole Dancing

My path to healing began in secrecy and pain. Moving to Australia, I found an unexpected sanctuary in pole dancing: a way to reclaim my body, embrace my non-binary identity and let go of society's expectations.

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Augusto performing a pole move under purple and blue studio lights